dc.contributor.author | Roncallo-Dow, Sergio | spa |
dc.contributor.author | Uribe Jongbloed, Enrique | spa |
dc.contributor.author | Aguilar Rodríguez, Daniel | spa |
dc.date.accessioned | 2021-01-01 00:00:00 | |
dc.date.accessioned | 2021-06-27T10:18:42Z | |
dc.date.available | 2021-01-01 00:00:00 | |
dc.date.available | 2021-06-27T10:18:42Z | |
dc.date.issued | 2020-01-01 | |
dc.identifier.issn | 1794-7111 | |
dc.identifier.uri | https://doi.org/10.17151/kepes.2021.18.23.10 | |
dc.identifier.uri | https://repositorio.ucaldas.edu.co/handle/ucaldas/16746 | |
dc.description.abstract | Los seres extraterrestres siempre tienen el potencial de alterar “el mundo tal como lo conocemos”. Cuando aparecen en el cine o la televisión, hay un debate sobre la posibilidad que tenemos, como seres humanos, de comunicarnos con ellos. La lingüística y la semiótica se convierten en elementos clave en nuestro intento de cerrar la brecha cultural. Ya sea a través de las matemáticas, la música o los dispositivos tecnológicos, estas películas soloimitan la incertidumbre que surge de todos los tipos de contacto intercultural. El temor es siempre la mala interpretación que puede convertir a un “Venimos en paz” en una guerra de pleno derecho.
Este artículo parte de una revisión general de 138 películas de la década 2007-2017 para reconocer los principales temas de su narrativa. Se señala que el conflicto hostil se mantiene como la principal temática. Así desarrolla un análisis interpretativo de las películas para describir los temores comunicativos de los filmes contemporáneos, prestando especial atención a las obras Avatar (Cameron, 2009), Arrival (Villeneuve, 2016) y District 9 (Blomkamp, 2009) como representaciones de nuestras dificultades comunicativas actuales. La humanización de los seres extraterrestres para establecer comunicación con ellos se convierte en una representación inversa de la deshumanización del otro, del enemigo, como lo muestran ciertos sectores dela sociedad y algunos gobiernos recientemente elegidos, con los cuales es difícil establecer mecanismos de comunicación y el diálogo. | spa |
dc.description.abstract | Extra-terrestrial beings always have the potential to alter ‘the world as we know it.’ Whenever they appear in film or television, there is a debate about the possibility that we have, as human beings,  to communicate with them. Linguistics and semiotics become keyelements in our attempt to bridge the cultural gap. Be it through mathematics, music or technological gadgets, these films only mimic the uncertainty that arises from all types of interculturalcontact. The fear is always the misinterpretation that can turn a ‘We come in peace’ into a fully-fledged war.
This article starts from a general review of 138 films from the decade 2007-2017 to recognize the main points present in their narrative, which shows that hostile conflict remains the main theme. Then it provides an interpretive analysis of the films to describe the type of communication fears that exist incontemporary films, taking a special look at Avatar (Cameron, 2009), Arrival (Villeneuve, 2016) and District 9 (Blomkamp, 2009) as the main representations of our current understanding of communication difficulties. The humanization of extra-terrestrial beings to establish communication with them becomes an inverse representation of the dehumanization of the other, the enemy, as depicted by certain sectors of society and a few recently elected governments, with whom it is difficult to establish mechanisms of communication and dialogue.  | eng |
dc.format.mimetype | application/pdf | eng |
dc.language.iso | eng | eng |
dc.publisher | universidad de Caldas | spa |
dc.rights.uri | https://creativecommons.org/licenses/by/4.0/ | eng |
dc.source | https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/4306 | eng |
dc.subject | communication | eng |
dc.subject | extra-terrestrial films | eng |
dc.subject | otherness | eng |
dc.subject | aliens | eng |
dc.subject | sci-fi films | eng |
dc.subject | comunicación | spa |
dc.subject | películas de extraterrestres | spa |
dc.subject | otredad | spa |
dc.subject | extranjeros | spa |
dc.subject | películas de ciencia ficción | spa |
dc.title | ¡Venimos en paz! (Bueno, ¿lo hacen?): Miedos comunicativos humanos en películas de naturaleza extraterrestre | spa |
dc.type | Artículo de revista | spa |
dc.type | Sección Artículos | spa |
dc.type | Journal Article | eng |
dc.identifier.doi | 10.17151/kepes.2021.18.23.10 | |
dc.identifier.eissn | 2462-8115 | |
dc.relation.citationendpage | 313 | |
dc.relation.citationissue | 23 | spa |
dc.relation.citationstartpage | 273 | |
dc.relation.citationvolume | 18 | spa |
dc.relation.ispartofjournal | Kepes | spa |
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dc.rights.accessrights | info:eu-repo/semantics/openAccess | eng |
dc.title.translated | We come in Peace! (Well, do they?): Human Communicative Fears in Films of an Extra-terrestrial Nature | eng |
dc.type.coar | http://purl.org/coar/resource_type/c_6501 | eng |
dc.type.content | Text | eng |
dc.type.driver | info:eu-repo/semantics/article | eng |
dc.type.version | info:eu-repo/semantics/publishedVersion | eng |
dc.relation.citationedition | Núm. 23 , Año 2021 : Enero - Junio | spa |
dc.relation.bitstream | https://revistasojs.ucaldas.edu.co/index.php/kepes/article/download/4306/3960 | |
dc.type.coarversion | http://purl.org/coar/version/c_970fb48d4fbd8a85 | eng |
dc.rights.coar | http://purl.org/coar/access_right/c_abf2 | eng |