dc.contributor.author | Flores, Oscar Salinas | spa |
dc.date.accessioned | 2014-12-19 00:00:00 | |
dc.date.available | 2014-12-19 00:00:00 | |
dc.date.issued | 2014-12-19 | |
dc.identifier.issn | 1794-7111 | |
dc.identifier.uri | https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/526 | |
dc.description.abstract | En 1940, el Museo de Arte Moderno de Nueva York convocó a los diseñadores del país a presentar los mejores diseños de mobiliario inspirados en la nueva tendencia del diseño orgánico. Asimismo, por primera vez, se convocó a diseñadores de veinte países Latinoamericanos a participar en el concurso, esperando que reflejaran la identidad de su región a través de formas y materiales que expresaran su avance en el diseño, y que incluso pudieran comercializarse en los Estados Unidos. Este texto analiza al grupo de participantes, muestra el progreso del diseño en cada uno de sus países, las expectativas del premio, y los hechos posteriores que mostraron la realidad y las posibilidades de USA y Latinoamérica. | spa |
dc.description.abstract | Abstract
In 1940 MoMA New York Museum, called the cpuntry’s designers to present their best furniture designs inspired in the new trend of organic design. Also, for the first time, designers of another twenty Latin American countries were invited to participate in a contest with the hope they would reflect the identity of their region through forms and materials to express their progress in design and that could even be commercialized in the United States. This text analyzes the group of participants, shows the progress of design in each of their countries, the prize expectations, and the subsequent events which showed the reality and the possibilities of USA and Latin America. | eng |
dc.format.mimetype | application/pdf | eng |
dc.language.iso | eng | eng |
dc.publisher | universidad de Caldas | spa |
dc.rights | Derechos de autor 2015 Revista Kepes | eng |
dc.rights.uri | https://creativecommons.org/licenses/by/4.0/ | eng |
dc.source | https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/526 | eng |
dc.subject | Hegemonic history | eng |
dc.subject | micro history | eng |
dc.subject | modernism | eng |
dc.subject | design pioneers | eng |
dc.subject | historia hegemónica | spa |
dc.subject | microhistoria | spa |
dc.subject | modernismo | spa |
dc.subject | pioneros del diseño | spa |
dc.title | Organic Design, MoMA, 1940. El soplo de la modernidad llega a Latinoamérica | spa |
dc.type | Artículo de revista | spa |
dc.type | Sección Artículos | spa |
dc.type | Journal Article | eng |
dc.identifier.eissn | 2462-8115 | |
dc.relation.citationendpage | 208 | |
dc.relation.citationissue | 10 | spa |
dc.relation.citationstartpage | 195 | |
dc.relation.citationvolume | 11 | spa |
dc.relation.ispartofjournal | Kepes | spa |
dc.relation.references | Abby Aldrich Rockefeller Albums, [album.item]. Competition pamphlet and entry form: “Industrial Design Competition for the 21 American Republics” [Oct. 1940], The Museum of Modern Art Archives, New York. | eng |
dc.relation.references | Bruce, G. (2006). Eliot Noyes, a pioneer of design and architecture in the age of American Modernism. London: Phaidon Press. | eng |
dc.relation.references | Jackson, L. (1991). The New Look. Design in the Fifties. New York: Thames and Hudson. | eng |
dc.relation.references | Kaufmann Jr., E. (1950). Prize Designs for Modern Furniture for the International Competition for Low-cost Furniture Design. Catalog. New York: The Museum of Modern Art. | eng |
dc.relation.references | Noyes, E. (1941). Organic Design in home furnishings. Catalog. New York: The Museum of Modern Art. | eng |
dc.relation.references | Pulos, Arthur J. (1988). The American Design Adventure. Massachusetts: MIT Press. | eng |
dc.relation.references | Salinas F., O. (1992). Historia del diseño industrial. México: Trillas | eng |
dc.relation.references | _______ (2001). Clara Porset: Una vida inquieta, una obra sin igual. México: UNAM. | eng |
dc.relation.references | Salinas F., O, et al________. (2006). Clara Porset Design, creating a modern México. México: Turner / Museo Franz Mayer / UNAM. | eng |
dc.rights.accessrights | info:eu-repo/semantics/openAccess | eng |
dc.title.translated | Organic Design, MoMA 1940. The Breath of Modernity Arrives in Latin America | eng |
dc.type.coar | http://purl.org/coar/resource_type/c_6501 | eng |
dc.type.content | Text | eng |
dc.type.driver | info:eu-repo/semantics/article | eng |
dc.type.version | info:eu-repo/semantics/publishedVersion | eng |
dc.relation.citationedition | Núm. 10 , Año 2014 : Enero - Diciembre | spa |
dc.relation.bitstream | https://revistasojs.ucaldas.edu.co/index.php/kepes/article/download/526/451 | |
dc.type.coarversion | http://purl.org/coar/version/c_970fb48d4fbd8a85 | eng |
dc.rights.coar | http://purl.org/coar/access_right/c_abf2 | eng |