dc.contributor.author | Mariátegui, José-Carlos | spa |
dc.date.accessioned | 2015-10-05 00:00:00 | |
dc.date.accessioned | 2021-06-06T10:18:39Z | |
dc.date.available | 2015-10-05 00:00:00 | |
dc.date.available | 2021-06-06T10:18:39Z | |
dc.date.issued | 2015-10-05 | |
dc.identifier.issn | 1794-7111 | |
dc.identifier.uri | https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/4290 | |
dc.identifier.uri | https://repositorio.ucaldas.edu.co/handle/ucaldas/16714 | |
dc.description.abstract | Cada carta, cada palabra, cada escrito de Gianni Toti no solo tiene un valor a nivel de texto, sino también a nivel visual. Su escritura era también un dibujo. La palabra escapaba su campo simbólico para insinuar la metáfora visual. Quizá es esa la razón por la que Gianni Toti es considerado el padre de la video poesía. Una visión de la obra “Pappagallo 2” de Francesco Mariotti, artista peruano-suizo, y las poesías totianas regeneradas evidencian que, al margen de una búsqueda semántica, la poesía es aun el espacio donde las descontextualizaciones pueden producir un orden que solo el ser humano puede entender y sentir. | spa |
dc.description.abstract | Each letter, each word, each writing of Gianni Toti not only has a value at a text level, but also at a visual level. His writing was also a drawing. The words escaped from their symbolic field, to insinuate the visual metaphor. Perhaps this is the reason why Gianni Toti is considered to be the father of video poetry. A vision of the work “Pappagallo 2” of Francesco Mariotti, Peruvian-Swiss artist, and the regenerated Totian poetries demonstrate that, marginal to a semantic search, poetry is still the space where descontextualizations can produce an order that only a human being can understand and feel. | eng |
dc.format.mimetype | application/pdf | spa |
dc.language.iso | spa | spa |
dc.publisher | universidad de Caldas | spa |
dc.rights.uri | https://creativecommons.org/licenses/by/4.0/ | spa |
dc.source | https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/4290 | spa |
dc.subject | randomness | eng |
dc.subject | electropoetry | eng |
dc.subject | visual experimentation | eng |
dc.subject | aleatoriedad | spa |
dc.subject | electro-poesía | spa |
dc.subject | experimentación visual | spa |
dc.title | Electro-poet-rivelazionaria: el rescate de las poesías computacionales de Gianni Toti | spa |
dc.type | Artículo de revista | spa |
dc.type | Sección Artículos | spa |
dc.type | Journal Article | eng |
dc.identifier.eissn | 2462-8115 | |
dc.relation.citationendpage | 149 | |
dc.relation.citationissue | 3 | spa |
dc.relation.citationstartpage | 141 | |
dc.relation.citationvolume | 4 | spa |
dc.relation.ispartofjournal | Kepes | spa |
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dc.rights.accessrights | info:eu-repo/semantics/openAccess | spa |
dc.title.translated | Electro-Poet-Rivelazionaria: the rescue of computational poetries of Gianni Toti | eng |
dc.type.coar | http://purl.org/coar/resource_type/c_6501 | spa |
dc.type.content | Text | spa |
dc.type.driver | info:eu-repo/semantics/article | spa |
dc.type.version | info:eu-repo/semantics/publishedVersion | spa |
dc.relation.citationedition | Núm. 3 , Año 2007 : Enero - Diciembre 2007 | spa |
dc.relation.bitstream | https://revistasojs.ucaldas.edu.co/index.php/kepes/article/download/4290/3945 | |
dc.type.coarversion | http://purl.org/coar/version/c_970fb48d4fbd8a85 | spa |
dc.rights.coar | http://purl.org/coar/access_right/c_abf2 | spa |